On their 3rd full-length LP, Cherry Glazerr delivers a canvas full of frustrated lyrics and self-hatred. Backed by heavy riffs, lead singer Clementine Creevy s... Go on...
Beirut’s sound is nothing if not consistent, and Gallipoli is no exception. That’s not to say that it’s no better than their other albums, though - while ... Go on...
Like a blend of your favorite period post-punk/new wave bands (and enough pop handle and creative exploration for both), Vancouver six-piece N0V3L stamps their... Go on...
The music of the once hyper-modern blog era has now reached its middle age, and along with this stage of maturation the concept of “nostalgia acts” have entered... Go on...
Sir Babygirl's 2019 debut album Crush on Me takes us on a silly, innocent journey through queer adolescence. Combining her sweet, playful lyrics with lush, 80’... Go on...
Negro Swan is Devonte Hynes’ fourth studio album as Blood Orange. Negro Swan has an eclectic sound that combines R&B vocal styles with 80’s funk undertones ... Go on...
Cullen Omori may very well have been one of the few guys to have been both too early and too late to his own party. Breaking through in 2011 as the fa... Go on...
While the first 4 albums from singer-songwriter Mitski are reminiscent of Angel Olson and other sing-along indie songwriters, her 5th full length Be the Cowboy ... Go on...
Los Angeles harpist Mary Lattimore names memories and nostalgia "fundamental characters in her evocative craft." On Hundreds of Days, she creates stunningly bea... Go on...
For the past couple decades, much has been said about Stephen Malkmus. He boasts an incredibly lengthy discography as a part of many different musical groups, m... Go on...
