Live Between the Hedges 2026: A Successful First Year for the Annual Concert Series
Written by John Faussemagne Photography by Alain Cruz Full Photo Album from the night can…
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Live Between the Hedges 2026: Photo Story
Photography by Alain Cruz Lauren Alaina Zach Top Jason Aldean…
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Old Crow Medicine Show at The Georgia Theatre
Photography & Review by Alain Cruz I was given these tickets super last minute and…
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Tigers Jaw at The Masquerade: Hell
By Hallie Gay As a long-time listener of the emo and pop-punk genres, Tigers Jaw,…
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Catching up with Tigers Jaw’s Ben Walsh
By Cannon Deringer For those unfamiliar, Tigers Jaw is an Emo and Pop-Punk band from…
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Arcy Drive Concert Review
Shot & Written by: Mal Holmes Last Wednesday, April 22nd, I had the night of…
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The Sexiest Gimmick Around Town: A review of Vol.2 by Angine de Poitrine
By: Case Harrison Microtonality is a technical and artistic advancement in guitar music. It is…
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A Review of Girlfriend by Grace Ives
By: Ila Karthik Whites and pinks, lace and tulle, and messy hair: cover art that…
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Glixen, Trauma Ray, Her New Knife, and Knifeplay @ the Masquerade
By Zam Freeman As I walked through the front door of Hell at The Masquerade,…
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Phoneboy at 40 Watt
By Nate Bristol When I first walked into the 40 Watt, I was met with…
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Kishi Bashi at 40 Watt Club, March 31
By Jonas Broom Kishi Bashi kicked off his 10th anniversary tour for Sonderlust here in…
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Local Spotlight: Primordial Void’s Marcel Sletten
Primordial Void is a DIY label and collective run by Marcel Sletten, a California native…
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Rochelle Jordan at Terminal West, March 27
By Angel Bhardwaj This Rochelle Jordan show has been sold out since winter, following the…
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BENEE at Terminal West
By Alain Cruz I want to start by saying that I wasn’t really a fan…
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A Review of Ö by Fcukers
By John Faussemagne Fcukers started at the middle point of two dying indie rock bands,…
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Aly and AJ Concert at The Georgia Theatre
By Laura Duncan Aly and AJ celebrated their inaugural visit to Athens, Georgia, with a…
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Jordan Ward at The Loft
By Gideon Bromberg On a mild Tuesday evening, St. Louis-based neo-soul artist Jordan Ward and…
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Nothing at the Masquerade
By Hallie Gay Following a series of neon signs down a third floor of stairs,…
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Cult Member & Pictureplane at The Masquerade
By John Faussemagne Around 6:30 PM Friday, March 13th, I got dressed for Pictureplane and…
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Winyah at The Georgia Theatre
Article by Ally Bliss Photography from Cole Cannon As the lights dimmed at the sold-out…
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Album Review: The Mountain by Gorillaz
By Hallie Gay Sitting in my apartment, headphones on and laptop in front of me,…
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Ultimate Wife Guy: Album Review of DON’T BE DUMB by A$AP Rocky
By: case_ I had started getting into ASAP Rocky through his 2019 single, Babushka Boi.…
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A Track-by-Track Review of Wuthering Heights by Charli XCX
By Hallie Gay On February 13th, 2026, British singer-songwriter and powerhouse of the current pop…
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WUOG’s Top Local Albums of 2025
As we head into the February, we wanted to look back at all the outstanding…
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The Psycodelics @ Nowhere Bar, January 22, 2026
By John Faussemagne After arriving right before the show started, I strolled inside to grab…
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The Qemist Interview
by John Faussemagne The night has just begun in Memphis, Tennessee. The season’s finally changed,…
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Building your Production Setup with Professor Qemist
Interviewed by: John Faussemagne During a trip to Memphis this past year, I caught up…
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A Review of Del Water Gap’s “Sailor Song” Cover
By Kayla Vianna A couple months ago, Del Water Gap covered “Sailor Song” by…
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Music Directors’ 2025 Album of the Year Picks
Written By: Mal Holmes and Jonas Broom Contributors: Jackson Boiling, Sienna Moore, Sarah Mitchell, Cannon…
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Panchiko and Glixen at 40 Watt
By: A.B. I walk up to the 40 Watt at 7:07 (I’m chronically on-time, or…
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The Return of Athens Unplugged
By: John Faussemagne Athens Unplugged is returning this Friday, November 7 at Hendershot’s! The unplugged…
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Lily Allen “West End Girl” Album Review
By: Mal Holmes Does anyone else remember that song from 2006 called “Smile”?…
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Woah, Mama: A Review of Hunting Season by Home is Where
By: Case Harrison Just like people from the south make songs about BBQ, beers, and…
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Cafuné At the Masquerade
Written By: Mal Holmes Photos By: Mal Holmes The 2020s has seen a…
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The Dare at Variety Playhouse
By Cira Thigpen Last Thursday I had the pleasure of accompanying my friend Sydney to…
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Through the Wall by Rochelle Jordan
By John Faussemagne On Through the Wall, Rochelle Jordan creates a club classic meant for…
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Madison Cunningham on Upcoming Album and Taking Ownership Of Emotions
Avoiding the musician’s musician trap, Madison Cunningham’s newest album, Ace, uses creative expression as healing…
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Album Review: Bleeds by Wednesday
By John Faussemagne In March of this year, Wednesday came out the gate with “Elderberry…
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Live Between The Hedges: Live Music Returns to Sanford Stadium
By John Faussemagne Live Music is back at Sanford Stadium. The University of Georgia Athletic…
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Leith Ross on their sophomore album I Can See The Future
By: Laura Duncan On September 10th, Leith Ross joined multiple media outlets for a press…
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Album Review: Dev Lemons’ SURFACE TENSION
By Tate Robinson On August 1st, 2025, Dev Lemons released her debut album, “SURFACE TENSION”.…
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Concert Review: Hotline TNT at Hendershot’s
By John Faussemagne Two years ago I saw Hotline TNT fresh off their album, Cartwheel,…
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“Ganglion Reef” By Wand Album Review: Diving into a sludgy-melodic psych nebula
By Brittany Turner Wand is a Los Angeles based psychedelic garage-rock band with heavy metallic…
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“Almost Magical” – A Celebration of the Life of Will Cullen Hart at The 40 Watt
By Joseph Mazzola & William Sealy On Saturday, March 29th, the 40 Watt held A…
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A Review of Perverts by Ethel Cain
Although I should probably stop, listening to music in scary places elevates the experience By…
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MJ Lenderman Album Review
By: Oliver Stone It’s almost impossible to find an MJ Lenderman video— either a…
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WUOG’s Top Local Albums Of 2024
Another year down, another year of local artists writing songs, playing shows, and, of course,…
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Archive Interview: Q&A with Mason Ramsey
By Laura Duncan Mason Ramsey visited Athens, GA and played at the Georgia Theatre on…
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November, December at WUOG: Station Soirée, Screen Printing, and more!
Despite the threat of finals, WUOG kept on trucking, as over November we continued several…
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October at WUOG: Birthoween, Live in the Lobby, and More!
By William Sealy October is truly WUOG’s month. Last month we had many fun celebrations,…
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ALBUM REVIEW: “Night Palace” by Mount Eerie
By John Faussemagne In 1996, The Microphones were born. This solo project by Phil Elverum…
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ALBUM REVIEW: “I Wanna Run Barefoot Through Your Hair” by Christopher Owens
By John Faussemagne In 2009, The debut album from Indie rock band Girls, titled Album…
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Interview With Aidan Bissett
Mal Holmes, a third year entertainment and media studies major, sits down to interview artist,…
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Zedd on His New LP “Telos”
By Tal Smith and EJ Bowman Electronic music artist, Anton Zaslavski, more commonly known by…
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Concert Review: Faye Webster at the Georgia Theatre
By: Megan Dawson and Laura Duncan There was still a line out the door for…
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Laura Jane Grace on Recording, New Music, and the City of Athens
By Joseph Mazzola I don’t think it would be an exaggeration to call Laura Jane…
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Concert Review: Twenty One Pilots at Gas South Arena
By Georgia Riccobene Walking into Gas South Arena on Sept 10th felt like stepping into…
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Wallows Concert Review
By: Georgia Riccobene Cadence Bank Amphitheatre at Chastain Park Atlanta GA August 19, 2024 With…
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Concert Review: charlieonnafriday at Vinyl in Atlanta, GA
By Thomas Livingston Last Thursday night, August 22nd, charlieonnafriday made his Atlanta appearance at Vinyl/Center…
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Concert Review: Sierra Ferrell At The Eastern
by Laura Duncan Following the release of her 2024 album, “Trail of Flowers,”…
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A Conversation With CHRIS CASEY on New Album HEAD HIGH
Hello! 90.5 FM, this is DJ Evil coming from WUOG! I am here with… Chris…
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“Airwaves”, 2024
Hello everyone! Welcome to the resurrection of WUOG’s annual zine, Airwaves! This mini-magazine is a collection of…
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AJJ’s New Single “Best of All Possible Worlds” Hopes for Something More
By Joseph Mazzola There is something quite strange about having to pause to write a…
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Album Review: Faye Webster’s Underdressed at the Symphony
By Oliver Stone Since self-releasing her first LP at age sixteen, Atlanta-based artist Faye Webster…
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Chris Renzema Delivers At The Georgia Theater
By: Mal Holmes Sometimes artists are lost and in a rut. They forget why they…
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lighthearted at the Georgia Theatre
By Megan Dawson I discovered the band lighthearted, stylized in all-lowercase, in the local music…
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Album Review: “Walls of Eyes” by The Smile
By Sydney Annis The Smile, a new band to the music scene, is composed of…
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Tredici Bacci Concert Review
By Joseph Mazzola Upon hearing that New York’s Tredici Bacci was playing Ciné in Athens…
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Concert Review: Bob Dylan at the Classic Center
By: Kellen Salom At 82 years old, Bob Dylan is practically the last man standing…
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Interview with Wednesday: Songwriting, Touring, and The Southern U.S.
By Jonas Broom and Joseph Mazzola Wednesday is an alternative rock quintet from Asheville, North…
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Concert Review: Johnny Falloon, 15000 Guns, Buice, and Rubber Udder at the 40 Watt
By Zac Tishgarten The reverberating grind of a saw against wood, echoing and warping beneath…
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Concert Review: Elijah Johnston at Georgia Theatre
By Merrielle Gatlin Love was in the air at the Elijah Johnston’s Valentine’s Day 2024…
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Interview with Joaquin Pastor of James Supercave
By Elizabeth Kim Despite the cool, dark maturity of the album’s look and sound, GIMMICK…
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Album Review: Prelude to Ecstacy by The Last Dinner Party
By Tyler Abercrombie UK rock outfit The Last Dinner Party have come through with their…
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Feature Album Review: ‘Critterland’ by Willi Carlisle
By: CJ Jones Willi Carlisle is a folk singer-songwriter whose first EP, Too Nice to…
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Concert Review: Wednesday at the 40 Watt
To call Asheville, North Carolina’s Wednesday an “indie rock band” isn’t necessarily “false,” but leaves…
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Applesauce Tears Talks College Radio Charts, Film Scores, and Their New Album “Encounters”
By Joseph Mazzola Applesauce Tears is an instrumental band formed in Athens by a self…
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WUOG’s Top Local Albums Of 2023
2023 has wrapped up! You’ve shared your most listened to albums from LastFM. You’re weighing…
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Feature Review: Cold War Kids Self-Title
By: Mal Holmes Cold War Kids is an alternative/indie rock band that has been on…
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Featured Review: 4D Country by Geese
by Tyler Abercrombie After dropping one of the best albums of the year back in…
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A Conversation with Towa Bird
Conversation Curated by Ritika Sharma The other night I got the chance to talk with…
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Jeffrey Lewis Talks the Creative Process, Physical Media, and Touring
By Rissa RogusWell first off, I wanna say I’m a huge fan, so sorry if…
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Feature Review: ‘The Land is Inhospitable and So Are We’ by Mitski
A year and a half after her 2022 comeback album Laurel Hell, we have been graced…
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Foot Ox on “Judee & the Sun,” Living in Georgia, and Found Sounds
By Joseph Mazzola Foot Ox, originally from Arizona, has been making music for over a…
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Concert Review: JAWNY at The Masquerade
By Georgia Riccobene JAWNY made his Atlanta debut at the Masquerade last Tuesday, April 4th…
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Q&A with Jarrett Dougherty of Screaming Females
By Elizabeth Kim Since 2006, garage-punk band Screaming Females has been putting out records that…
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Apes of the State Talks Songwriting, Recovery, and the Future of Folk Punk
By Joseph Mazzola & Emily Blackwell Originally out of Lancaster, Pennsylvania, Apes of the State…
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A Q&A with The Pinkerton Raid
by Damario Walden The Pinkerton Raid is a band that combines touches of everything from…
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Wieuca reflects on last decade and live hiatus, making singles their focus
By Julianne Akers After a decade of making music and playing shows, the Athens and…
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A Sit-down Interview with Mariami
By: Ian Benavides I recently had the chance to sit down with the beautiful Mariami.…
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An Interview with Mega Mango
By Caroline Smith Bedroom rock may be a staple in the music industry, but Mega…
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The Asymptomatics and their A-holes
By Mariana Mejia The Asymptomatics started as a joke. That joke evolved into what is…
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Album Review: A.D. Blanco – Secondhand Life
By Elizabeth Kim One mistake that a lot of musicians make is finding one song…
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An Interview with Hunter Morris & The Blue Blood
By Elizabeth Kim Give In to Livin’ is the newest album from Athens-based alternative-pop group,…
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‘A Little Fish in a Big Pond:’ Convict Julie explores personal expression in ‘Exquisite Pain’
By Julianne Akers Authenticity, vulnerability, and a raw and real personal experience. Convict Julie, the…
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An Interview With Annie DiRusso
By Caroline Smith Annie DiRusso, the Nashville and NYC based indie-rock artist, will be touring…
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A Night Drive Interview with Shane T
By Elizabeth Kim In his brand new EP, Night Drive, New York City-based artist Shane…
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An Interview with Kublai Khan TX
Written by Joseph Mazzola Kublai Khan TX is a metal/hardcore band known for their political…
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Gang of Four to reintroduce signature sound at upcoming Atlanta performance
By Sam Wilson On March 11, the influential post-punk band Gang of Four is going…
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Mitski- Laurel Hell: Album Review
Or El Viaje Misterioso de Nuestro Mitski I. Observations “In the last ten years, gradually,…
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