On Too Real, California producer Giraffage and a cast of guest vocalists create a distinctive album of dance-oriented internet music that's hard to pin down as ... Go on...
OUÏ is the seventh album by French artist Camille. Like much of her previous work, OUÏ is focused on the vocals of singer Camille Dalmais, which can, and does,... Go on...
Within the confines of the Destroyer project, Dan Bejar has made music completely entranced with the concepts of abstraction and the power of the phrase, but co... Go on...
Protomartyr’s fourth LP, Relatives in Descent, sees the Detroit post-punks finally coming into their own. Compared with their 2015 release, The Agent Intellect,... Go on...
Swedish post-punk band Makthaverskan weave together ethereal dream-pop vocals with heavy post-punk grooves. The opener “Vienna” immediately demonstrates Maja Mi... Go on...
Formerly known as the revivers of the holy spirit that is (or was) 90's alt rock, Grooms finally steps off the ledge they were teetering on and take the plunge ... Go on...
I'm gonna start this off by saying I miss Tom Petty. I really do. And I say this because this album made me feel a bit better about his passing because is a sli... Go on...
Let’s cut straight to the obvious: Going Grey is The Front Bottoms’ second album with Fueled By Ramen, and it’s starting to sound like it. This is not the DIY, ... Go on...
Montreal electro-pop duo Blue Hawaii is back with their third album, Tenderness. On this album, Raphaelle Standell and Alex Kerby experiment with disco and 80s ... Go on...
With two full lengths already under her belt, Chelsea Wolfe seems to finally be fully self-actualizing as an artist on Hiss Spun. While her earlier work felt li... Go on...