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Matthew E. White played on the Piedmont Stage Sunday May 10. Photo by Trevor Adams.

Matthew E. White played on the Piedmont Stage Sunday May 10. Photo by Trevor Adams.

Matthew E. White, The founder of Spacebomb Records was a pleasant opener for the last day of Shaky Knees. While his studio albums tend to layer many strings, backup vocals, and piano parts, this performance was more stripped-down as he opted for a more traditional four-piece setup. While the instrumentation was wonderful, I have to say that I wasn’t overly thrilled with White’s vocals themselves. On his studio albums, they always seemed overly soft, and I was dismayed that this problem was only exacerbated in his live performance. All in all, though, it was a solid performance, and makes me excited for collaborations with other artists, like his work with Natalie Prass.
Trevor Adams

Old 97’s used their early start time to effective set the early crowd into overdrive as they moved through their expansive discography. The alt-country legends were all grins and seemed very excited to be playing Shaky Knees, bringing 45 minutes of absolute joy and energy. 2014’s Most Messed Up got lots of love from the band who played single “Let’s Get Drunk and Get It On”, but what sent the older crowd into a frenzy were the older tunes Old 97’s broke out especially from 1997’s Too Far to Care. That album’s classic “Timebomb” is the perennial closer of an Old 97’s set and it’s clear to see why: the crowd was overjoyed to hear the country rock classic.

– Andy Tabeling

Best Coast played the Piedmont Stage on Sunday May 10. Photo by Valerie Voswinkel

Best Coast played the Piedmont Stage on Sunday May 10. Photo by Valerie Voswinkel

Best Coast performed at 3:45 at the Piedmont stage. The Californian duo, comprised of Bethany Cosentino and Bobb Bruno, started their set off with “The Only Place” off of their second album of the same name. They played a few tracks from each of their albums. Their most recent album, California Nights, came out on May 5th, so the band played several songs from it, including “So Unaware” and “Fine Without You.” Cosentino announced that it was Bruno’s birthday. Throughout the performance, Cosentino advised the crowd to drink plenty of water, noting the heat. They finished their set off with the song “Boyfriend” from their first album, Crazy For You.

– Valerie Voswinkel

 

The rock band Dr. Dog performed on the Peachtree Stage for a large crowd. Throughout their set, the band was enthusiastic and entertaining. Many fans sand along and bobbed to the tunes. A few songs heard during their show were “Heavy Light,” Be the Void,” and “Lonesome.” The group ended their performance with their popular cover of the Architecture in Helsinki song “Heart It Races.”

– Valerie Voswinkel

Panda Bear played on the Buford Highway Stage Sunday May 10. Photo by Trevor Adams.

Panda Bear played on the Buford Highway Stage Sunday May 10. Photo by Trevor Adams.

I wasn’t entirely sure what to expect from Panda Bear, the member of the popular experimental pop group Animal Collective. What I got was truly a solo act with a killer light/projection show. While we couldn’t exactly see what was going on with all of the knobs and buttons, the seamless transitions between songs made it apparent that there was more going on than just hitting play. Many tracks were off of his new record Panda Bear Meets The Grim Reaper, although there were some others from previous work. There were also a truly absurd amount of beach balls; usually there are one or two at a show, but as soon as the first song started, no less than 15 beach balls began flying about the crowd. I personally thought that it crossed the line from being annoying to being humorous, but I don’t think many others thought the same.
Trevor Adams

Backed by a band that included two backup gospel-inspired singers, Jason Pierce and Spiritualized dazzled the sweaty late-afternoon crowd. Mostly refusing to play well-known songs, the band spent their hour-long set in a fairly introspective mood. Pierce is a quiet vocalist and his guitar work was mostly delicate to compliment the softer vibe of most of the set. However, Pierce broke out old Spacemen 3 classic “Walking With Jesus” for the occasion, which heavily featured the two backing vocalists. Ending with Ladies and Gentlen We Are Floating in Space’s “Come Together”, Spiritualized proved they could make their gospel-space-rock sound work in a scorching summer festival daytime slot. It made me eager to see the band in a more intimate setting, as well as want to hear some new material from the band.

– Andy Tabeling

 

Ryan Adams kicked off his triumphant early-evening set with his single “Gimmie Somehting Good” off his recently-released self-titled record, but it was of course his classic Heartbreaker that won the most sing-alongs and cheers among the hardcore fans. Heartbreaker opener “To Be Young (Is To Be Sad, Is to BeHigh)” was the first moment were the crowd displayed their sheer elation to see the North Carolina singer-songwriter perform. Several other tracks from that album were featured, with Adams ending the set with signature ballad “Come Pick Me Up”, but even the Tame Impala fans that had been waiting for that band to start long before Adams even took the stage enjoyed Adams’ clever banter and his Mothers’ Day tribute in the form of covering Glen Danzig’s “Mother”.

– Andy Tabeling

Ride played on the Piedmont Stage on Sunday May 10. Photo by Trevor Adams.

Ride played on the Piedmont Stage on Sunday May 10. Photo by Trevor Adams.

The recently reunited shoegazers Ride may not be young anymore, but they can still put on a great show. The timing was perfect as the sun set over the penultimate act of Shaky Knees. The first two songs (“Polar Bear” and “Seagull”) were off of the legendary album Nowhere, but a wide range of tracks followed that gave a good representation of the English band’s catalog. “Seagull” in particular stood out to me, with the unforgettable bassline blaring out from the Piedmont stage. “Drive Blind” was another highlight, with a noisy breakdown that reminded me a little of the Swans show I saw at Terminal West a few months ago. It would be very difficult to point out any issues during the show (besides Mark Gardener’s fashion), and it was personally my favorite act of the day. If you have a chance to see this storied band before they disappear again, do it. You’ll be in for one crazy ride.
Trevor Adams
Tame Impala played the Peachtree Stage on Sunday  May 10. Photo by Valerie Voswinkel.

Tame Impala played the Peachtree Stage on Sunday May 10. Photo by Valerie Voswinkel.

Tame Impala just might become one of the biggest bands in the world very soon. Similar to last year’s Albama Shakes, Shaky Knees once again gave a young artist with a smaller discography a chance to prove they could own a headlining slot. With their elaborate lights and awe-inspiring jamming, Tame Impala proved they were up to the task. Opening with brand new single “Let It Happen” off the forthcoming Currents, Tame Impala used the hour-and-a-half set to play a great deal from their 2nd record, 2012’s Lonerism as well as showcase some of their new material. Voalist Kevin Parker was in high spirits, praising the beautiful Atlanta evening and rattling off some of his favorite Georgia musicians (OutKast, Deerhunter and Migos) in between the band’s jam-packed (in more ways than one) set. Returning to the stage to play Lonerism’s “Nothing That Has Happened So Far Has Been Anything We Could Control”, it felt like it wouldn’t be the last time I see Tame Impala own a high-profile festival time slot.

– Andy Tabeling

 

After three long days of concerts, Shaky Knees came to a close with headliner Tame Impala. The Australian psychedelic band made for a great ending to a great festival. The group played their new single “Let it Happen.” They also played some popular songs like “Elephant” and “Feels Like We Only Go Backwards.” Behind the band, colorful images and shapes lit up the stage and provided a good visual element to the music. After the band played their final song, the fans begged for an encore and the group reemerged. They revealed that they hadn’t planned an encore when planning the set, but decided to because of the willingness of the crowd. The group played a song they normally reserve for their own concerts: “Nothing That Has Happened So Far Has Been Anything We Could Control.” The show was scheduled to end 30 minutes earlier than the prior two days, finishing at 10:30.

– Valerie Voswinkel

 

 

Speedy Ortiz played on the Boulevard Stage Saturday May 9. Photo by Andy Tabeling.

Speedy Ortiz played on the Boulevard Stage Saturday May 9. Photo by Andy Tabeling.

Despite their early set time, Massachusets garage-rock outfit Speedy Ortiz put on one of the most entertaining sets of the weekend so far. Still riding the wave of critical acclaim for 2013’s Major Arcana and this years’ Foil Deer, the jagged dual guitars and Sadie Dupuis’ entertaining lyrics provided the jolt that festivalgoers needed to survive the afternoon sun. Highlights of Speedy’s set included Foil Deer standout “Raising the Skate” and Arcana’s “Plough”. The great reception the band got from the crowd seems to indicate that Speedy Ortiz might be headed for an even larger festival stages soon.

-Andy Tabeling, @andytabelz

Viet Cong performed on the Buford Highway stage Saturday May 9. Photo by Trevor Adams

Viet Cong performed on the Buford Highway stage Saturday May 9. Photo by Trevor Adams

The Canadian post-punk band Viet Cong felt a little out of place with a 2:00 PM timeslot, but with a surprisingly good-humored stage presence, they owned it. Bassist/vocalist Matt Flegel gave a talk about each band member’s nickname between songs, and introduced the song “Continental Shelf” as “Continental Breakfast.” “March of Progress” was as just as impressive as I hoped it would be in a live setting, and the band closed on a powerful rendition of “Death” in which guitarist Daniel Christiansen was so intense that his guitar began flying about him like he was spinning a rifle. For a band that is so much about death and darkness, they were certainly a bright spot in Saturday’s lineup.

There seemed to be some Canadian band-mance happening on Saturday, as guitarist/vocalist Alex Edkins shouted out Viet Cong before METZ began their mid-afternoon set. The noise rock band was loud and hard-hitting, and the drums were able to cut through any post-lunch daze that their listeners might have had. Viet Cong seemed to agree, as their members could be spotted among the general admission crowd.

-Trevor Adams, @RevorTadams

From 2:45 to 3:45, Real Estate performed on the Peachtree stage. The band played several songs from their most recent album, Atlas, including “Had to Hear,” “Talking Backwards” and “Crime.” From the older albums, they played “Municipality,” “Green Aisles,” and more. The band drew a decent sized crowd, with many sitting in the grass to enjoy the tunes. The laid-back music allowed the audience to relax and take in the moment.

-Valerie Voswinkel, @valvoswinkel

Black Lips performed on the Ponce de Leon stage Saturday May 9. Photo by Valerie Voswinkel.

Black Lips performed on the Ponce de Leon stage Saturday May 9. Photo by Valerie Voswinkel.

Black Lips’ performance was high-energy and fun. The band originated in Atlanta, so this homecoming performance had a warmth and friendliness to it. A few songs they played were “Drugs” and “Funny.” The group ended with arguably their most well-known song “Bad Kids,” with many fans singing and dancing along. Compared to their sound in recordings, the Black Lips sounded just as spontaneous and energetic live. Their stage presence was great, helping the audience to connect with the band as people. The show definitely was successful in entertaining the fans and providing them with an exciting concert experience.

-Valerie Voswinkel

Built to Spill performed on the Boulevard stage Saturday May 9. Photo by Andy Tabeling.

Built to Spill performed on the Boulevard stage Saturday May 9. Photo by Andy Tabeling.

Built to Spill sounded as vibrant as ever during their late afternoon slot at the Boulevard set. The band’s hour-long performance spanned tracks from across Built to Spill’s 8 album discography and included some of the band’s most well-known songs like “Carry the Zero” and “The Plan,” along with tracks from their just-released Untethered Moon. Doug Martsch led the band’s fierce three-guitar attack that gave the set a heavy dose of energy and raw noise that the sizable crowd ate up. After realizing they had ended their set a little early, the band came back out for a 2-song encore that concluded with a cover of “Don’t Fear the Reaper”. While the band has now been together for 20+ years, they still are one of the most consistently enjoyable bands in indie rock and a fine choice for any festival.

-Andy Tabeling

Neutral Milk Hotel, one of the most anticipated bands of the weekend, had a large crowd waiting long before their scheduled playtime. When Jeff Mangum appeared, fans began screaming, and I could tell that the everyone around me was much more passionate than a typical festival crowd. Opening with “I Will Bury You In Time” off of the Ferris Wheel on Fire compilation, the indie rock legends instantly had the crowd entranced. While the band only has two real albums, they were not in short supply of songs that fans demanded to hear. Songs from In the Aeroplane Over the Sea had the crowd overpowering Mangum with vocal sincerity. Honestly, I actually cried during “Two Headed Boy Pt. 2″. Although the audience was asked to put away all recording equipment, I have no doubt that those who attended will have memories that will last a lifetime.

-Trevor Adams

Wilco performed on the Ponce de Leon stage Saturday May 9. Photo by Andy Tabeling.

Wilco performed on the Ponce de Leon stage Saturday May 9. Photo by Andy Tabeling.

In their (mostly imaginary) battle with the Flaming Lips to play every single rock festival in America, Wilco rolled through Shaky Knees and ripped through an excellent tour of their discography over an all-too-brief hour and fifteen minutes. Opening with “I Am Trying To Break Your Heart”, Jeff Tweedy and the gang played four more tracks from their classic Yankee Hotel Foxtrot along with other old favorites and deeper cuts. The band’s expansive sound provided the perfect backdrop to the setting sun, especially as the darkness came over Central Park right as Nels Cline began his famous “Impossible Germany” solo. Stopping only briefly to thank the enormous crowd, Wilco fit a remarkable number of songs into their time slot and once again proved that they are a reliable festival workhorse who won’t disappoint.

-Andy Tabeling

ZZ Ward performed on the Buford Highway Stage Saturday May 9. Photo by Valerie Voswinkel.

ZZ Ward performed on the Buford Highway Stage Saturday May 9. Photo by Valerie Voswinkel.

Later in the evening, ZZ Ward performed at the Buford Hwy Stage. Her performance was mesmerizing, with funky beats and strong vocals. She is an incredible performer and brought energy into the crowd. She performed some of her popular songs, such as “365 Days,” “Charlie Ain’t Home,” and “Blue Eyes Blind.” In addition to her normal set, she debuted a new song for the Shaky Knees crowd. Her music had everyone dancing and singing along to her upbeat music. Her performance was very interactive as she often asked the crowd to repeat a part for her or clap along to the beat.

-Valerie Voswinkel

Mitski@ShakyKnees

Mitski performed on the Boulevard Stage of Shaky Knees Friday, May 8. Photo by Valerie Voswinkel

The first day of Shaky Knees was strong. While the heat was a bit much at times, the quality of the music made it relatively easy to ignore.

Mitski Miyawaki‘s set at the Boulevard Stage was an early highlight of the festival. Heavily favoring her most recent album Bury Me at Makeout Creek, Miyawaki performed an emotionally intimate, yet powerful 45 minute set. Between powerful ballads, Mitski quietly praised the sizable crowd who was enduring the Atlanta heat. She also repped her home, New York, but told the ATL audience “You don’t have to go there though.” Miyawaki displayed gratitude to be performing for the crowd that ate up every moment of Miyawaki’s gorgeous garage-pop. 

-Andy Tabeling @andytabelz 

As a huge Kooks fan since the ninth grade, I was very excited to see the band perform live. The group made sure to showcase songs from each of their four albums in their allotted hour. From its newest album, Listen, we heard “Forgive & Forget,” “Down,” and “Bad Habit,” among others. From their first album, Inside In/Inside Out, they played “Ooh La,” “She Moves in Her Own Way,” and finished the entire set off with “Naïve.” Other songs they performed include “Junk of the Heart (Happy),” “Always Where I Need to Be,” and “Is it Me?” The Kooks definitely lived up to my expectations, however I wish that they had performed more from their first album, just for nostalgia’s sake. Overall, their performance was engaging and drew a large crowd.

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Alaina Moore of Tennis performed on the Buford Highway stage at Shaky Knees Festival May 8. Photo by Valerie Voswinkel.

 

From 2:30 to 3:15 today, I experienced the group that is Tennis on the Buford Highway stage. A decent sized crowd crammed under the tent to watch them. The group was upbeat and adorable, and the crowd remained calm. Fans sang along to some favorites, such as “Marathon,” the first song the group wrote, and Origins. Although they played for less than an hour, the band definitely brought a full concert experience and singer Alaina Moore provided beautiful vocals. I definitely would love to see a full performance from this group in the future.

-Valerie Voswinkel, @valvoswinkel

Mac DeMarco, with his lackadaisical and laid-back style, was a highlight of the afternoon. The whole show seemed to be set up as a way to celebrate the birthday of bandmate Andy White. The indie star wasn’t just confined to fan favorites like “Blue Boy” and “Freaking Out the Neighborhood” and instead included a lot of crowd interaction such as a last-minute stage dive and dividing the crowd into the VIP section and the general admission “peasants”. His bassist even sang a cover of Coldplay’s “Yellow, ” however the band pulled it off flawlessly. It didn’t matter how wild things got, Mac never got too cheesy.

-Trevor Adams, @RevorTadams

The Mountain Goats performed on the Buford Highway Stage Friday May 8. Photo by Andy Tabeling.

The Mountain Goats performed on the Buford Highway Stage Friday May 8. Photo by Andy Tabeling.

A live performance of the Mountain Goats is seemingly intimidating for the casual listener. Their discography is massive and the audience interaction relies heavily on fans’ incredible memory of their favorite Darnielle lyricisms. However, the live band John Darnielle put together (including legendary Superchunk drummer/funny-guy Jon Wurster) brings life and joy to the Mountain Goats’ live show. The band’s most recent record, the wrestling themed Beat Them Champ, fits right in among Darnielle’s other sing-along-ready tunes. After spending a brief acoustic set touring through some of the project’s older songs (Darnielle memorably broke out “Cubs In Five”, which he claims to rarely play anymore), the whole band ripped into some of the most popular Mountain Goats songs including “Up the Wolves” and “This Year”, ending with a sparkling rendition of “No Children”. The band’s hour long-set satisfied both the casual fans in the group along with the already converted.

-Andy Tabeling

American Football performed on the Boulevard Stage Friday May 8. Photo by Andy Tabeling.

American Football performed on the Boulevard Stage Friday May 8. Photo by Andy Tabeling.

I want to thank whoever was responsible for American Football‘s timeslot, despite it conflicting with Mastodon. I had been at the festival for over 6 hours, and my feet were starting to tire out. I opted to sit on a hill to the side of the stage to see the Midwest emo legends, and by chance it was the the best decision I made all day. Seeing the sun set behind the skyline of Atlanta while listening to the gorgeous guitar layering and powerful trumpet solos of American Football was magical. While the band may not be young as they used to be, and it shows some in the vocals, they still have no problems delivering the atmosphere of nostalgia and emotional memories, which is reason for their loyal fan base.

-Trevor Adams

Brand New performed on the Ponce de Leon stage Friday May 8. Photo by Andy Tabeling.

Brand New performed on the Ponce de Leon stage Friday May 8. Photo by Andy Tabeling.

Hot off the release of their recent single “Mene”, Brand New delivered an incredible performance that no doubt pleased the legions of devoted fans that swarmed the Ponce De Leon Stage Friday night. Opening with the previously mentioned new song, Brand New preceded to take a tour through their previous albums, leaving ample room for moments of intimacy along with the bands stunning crescendos. Jesse Lacey and co. felt loose, energetic and truly grateful for what was one of the best festival crowds I’ve been a part of. It seemed like thousands of people shouted “Yeah!” during The Devil and God Are Raging Inside Me’s “Sowing Season” and the audience became hushed during “Luca” which was one of the set’s quietest moments. When Brand New chose to be loud, such as during Daisy highlight “Gasoline”, they sounded world-conquering.

-Andy Tabeling

Before the James Blake show even started, I could tell that the crowd around me was more enthusiastic than usual. Once the overhead lights cut out and blue spotlights replaced them, a cheer erupted that was louder than what I expected from a tired crowd so late in the day. Blake didn’t disappoint his fans, playing heavily from his renowned self-titled debut. He played with drummer Ben Assisted and guitarist Rob McAndrews, who also employed the use of a sampler. He himself at the keys and vocals, Blake succeeded in creating an entrancing atmosphere that evoked all the best sonics of his studio albums. There were also several tracks I did not recognize, usually tending to he more dance-oriented. The light show that accompanied the music was phenomenal, and is a big portion on why the show was so enjoyably hypnotizing. The show has greatly raised my hopes that future music by the English producer will be able hold up to his past.

-Trevor Adams

The Strokes closed out Friday night of Shaky Knees. Photo by Andy Tabeling.

The Strokes closed out Friday night of Shaky Knees. Photo by Andy Tabeling.

As Friday’s shows came to an end, all of the festival-goers gathered at the Peachtree Stage to watch the final performance: The Strokes. The band started the set off with “Reptilia” and followed with “Welcome to Japan.” They played a medley of songs from different albums, many of them fan favorites. Towards the end of their performance, Julian Casablancas called Mac DeMarco onto the stage. The two acts then performed the Strokes’ song “Last Nite” together. The Strokes stayed on stage until a little past 11 o’clock, performing four encores. Their show was high energy and brought the day to a happy close.

-Valerie Voswinkel

 

 

Wilco

 

Shaky Knees is almost upon us! As the city of Atlanta begins to gear up for the acclaimed festival, fans prepare to hear acts both old and new. Some of the most anticipated acts of the festival include English artist James Blake, the legendary Wilco, and the slacker Mac Demarco.

 

James Blake

The popular English electronic artist is gracing Atlanta with his presence with on Friday night. He has some stiff competition, though; sharing a timeslot with Pixies and Brand New isn’t easy, especially when the festival caters to the indie and alternative rock crowds. However, I’m personally excited for the show. We might even hear some hints of a new record, which Blake has been quiet about for the past two years.

Wilco

As someone who doesn’t have nearly enough money to even see Tweedy, getting to see Wilco live is going to be a treat. I’m personally hoping for some serious Yankee Hotel Foxtrot throwbacks, but as long as the band puts out a solid performance, they can only play their self-titled for all I care.

Viet Cong

What? Sold post-punk in 2015? Who would have thought! Viet Cong’s self-titled LP debut certainly delivered after a promising cassette EP, and songs like “March of Progress” will surely be transcendental in a live setting.

Matthew E. White

2015 has been a big year for Matthew E. White. After founding Spacebomb Records in 2012 and releasing his acclaimed debut Big Inner, we didn’t hear much from the Virginia artist. However, not only did he release his second album, Fresh Blood in March, but his signee Natalie Prass had a debut that got a lot of attention, mine included. The combination of Natalie Prass and Fresh Blood have given Spacebomb a strong one-two punch to start off 2015. I’m excited to see how they can translate that success into a festival atmosphere.

Mac DeMarco

Yep, Mac is coming back to Atlanta! The Canadian Slacker King is famous for the laid-back atmosphere in both his studio work and concerts, making him a perfect fit for a springtime festival spot. I last saw DeMarco play at The Goat Farm while he was touring his successful sophomore LP Salad Days. The show was delightful with a lot of crowd interaction and snide remarks that really helped Mac’s personality shine. The 4:15 p..m. to 5:15 p.m. timeslot on Friday should fit him nicely, and hopefully we’ll be able to hear some new material off of his upcoming LP Another One.


- Trevor Adams

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For University of Georgia students, and probably others, finals ended yesterday. Luckily, Shaky Knees Festival in Atlanta is only a few days away. The festival this year has an impressive lineup of up-and-coming artists and well-established bands. Here are a few of the performances I am excited to see.

First up is Mitski. I really enjoyed her most recent album, Bury Me at Makeout Creek. I would love to hear a live rendition of the angsty “Townie,” my personal favorite from her album. After her performance on Friday, I hope to catch Tennis, a sweet husband-and-wife duo from Colorado. Their 2014 album Ritual In Repeat is fun indie-pop and showcases the couple’s musical talent. Alaina Moore, the female vocalist, has a beautiful voice that sounds amazing live. I can definitely see this being one of the most enjoyable performances of the afternoon.

Many people will probably debate whether to see The Kooks or Wavves on Friday, but it’s The Kooks all the way for me. As a fan since high school, the chance to see them live is too good to pass up. Their music has always made me feel edgy and soulful at the same time. Their energy is fun and the music is carefree, making for a great concert experience. A variety of genres are incorporated into each song, making their music so enjoyable. You can hear rock, pop, ska, funk, and much more mixed each track.

Neutral Milk Hotel performs Saturday and is a highly anticipated show for many. The band plays obscure, but very popular music among the indie music scene, particularly in Athens. Most exciting about this performance is that the band disbanded in 1999 and reunited for live touring in 2013. They’ve announced that this Spring/Summer tour will be their last, which means this show will be sentimental for many of their Georgia fans. If that’s not reason enough to see them, I don’t know what is.

Best Coast performs on Sunday and is the only group attending Shaky Knees that I have already seen live. When I saw them in 2013, the California duo was playing their newest album, The Only Place. Their music is heavily influenced by a variety of groups and artists, such as The Beach Boys, The Eagles, Fleetwood Mac, Drake, and Weezer. These musical influences combine with their love of California to create their fun, carefree music style. Their third album, California Nights, is set to release on May 5th, just days before the festival, so we may be some of the first audiences to hear tracks from this new album live.

With Shaky Knees fast approaching, I recommend that you look up some of the artists’ live performances on YouTube and create a playlist to get familiar with their songs. The festival is May 8th to May 10th, so if you haven’t gotten tickets already, do so soon. See you all there!

-Valerie Voswinkel

 

Photo from The Dell New England on Flickr